Mosaic cane

Last night I thought I would try something new but not too complicated. So an idea I had seen on the internet looked like a fun challenge. I was encouraged to try this indirectly by a friend who lives in Ireland, who one day had showed me some mosaic work on the internet and suggested I should try using polymer clay to make mosaics. I have always been attracted to mosaics, especially ancient works of art, and so I thought I would give this a go as a start.

I had already seen this tutorial on the internet. The process is amazingly simple. It's just a case of rolling various colours of clay and wrapping them in white and then rolling them together in a cane. You then cut down through the middle and add a layer of white between the slices and recombine. You do this repeatedly to form the mosaic pattern.

My cane turned out quite well, and I'm happy with the colour combination. So I decided to do as the tutorial suggested and made a heart pendant from some of the scraps. This is where the problem starts, in that I don't really understand how you effectively add a layer of the mosaic cane to the pendant. I ended up using small slices to cover a ball of scrap clay, but clearly there are better ways to do this. I also find difficulty in producing the heart shape even though I found a nifty tutorial on how to make hearts, but it still takes a lot of reshaping and moulding to get a half decent heart shape.

My first flower cane

I count this as my first real flower cane (even though I managed to make the petal cane earlier and also tried to make the rather unsuccessful orchid cane of my own design).

This lesson grabbed my eye while I was surfing around Flickr looking at the wonderful creations posted on one of the Polymer clay groups. To be honest I'm not sure that looking at other people's work is a good idea or not, as it can make me feel equally inspired or despondent depending on my mood.

Unexpectedly I discovered one woman's photostream which included tutorials in the form of pictures. This is a nice way to follow the tutorial because it is simple and makes it look strangely easy. I decided to try this Blue flower cane tutorial.

With my lovely new packs of clay I decided to recreate the flower cane, choosing brilliant blue, white and a lilac mix I have left over. Making the skinner blend has become quite easy, although I still managed to mess it up a little bit and had to press it back into an equal layer for rolling. I now use my pasta machine for this as it does make life easier. This skinner blend had a double gradient ie with blue on the edges of the strip and white in the middle, which you then roll up into a cane. I feel pretty confident now making the petal design, it's such a great way to make the veining of the petals.

This time I took more care in constructing the flower, but the bit that I didn't take so much care with was the centre of the flower which is supposed to be made out of a simple lace cane. For the centre I chose the lilac and more blue, but the pattern didn't really turn out very well, and in fact I think it is too large for the flower. So next time I will take more care with this.

I finally padded the flower out in transparent clay and then reduced. The reduction caused some minor distortion around the edges of the petals, and I think next time I will remedy this by adding more layers of transparent around the edge of the cane. Generally though I am happy with this first attempt at a flower cane.

Lace cane experiment

The other day I was having a look through the photos of some artwork posted on Flickr. The jewellery I came across was clearly made by a professional, but what surprised me was how simple the basic technique was to create the final piece. The artist had simply used a lace cane of contrasting colours and used the slices to make a loop pendant. The final piece had been lovingly polished into a beautiful pendant.

The simplicity of this design intrigued me, so this morning I thought I would try it myself. I already had a black and white lace cane left over and even though it isn't the most exciting colour combination, it is neutral enough to try the experiment. I also wanted to test out my new circular cutters I have just bought from Ebay.

The first process was to roll out a blob of scrap clay into a fairly thick sheet and then cut thin slices off the lace cane to cover the surface so that none of the scrap clay can be seen. I then took a large cutter and cut a circular piece out of the sheet. Then I took the smaller cutter and cut a small disc from inside this circle of clay. (You do have to be a bit careful when you scrape up the final pendant as it can get a little bit mis-shaped.) The result was the pendant in the above photo. It is still not baked but I hope that once it is I can sand and polish it so that it will be smooth and shiny.

The back of this pendant has not been covered because I ran out of the cane! However as this is only my first test piece I will let this minor issue go this time.

What to do with that kaleidoscope cane

So far I have dabbled with different cane types and the one which I have really been impressed with was the bulls eye kaleidoscope cane, so it's nice to have something at the end of it. I decided to reduce the cane to a size which could be used as square beads and then wrapped in a border of white clay to hide the pattern that had seeped into the sides of the cane. I sliced the cane into five blocks to create the square beads.

These beads are quite chunky, but I kind of like that. To be honest I think I was just so paranoid about making the same mistake I made piercing the chocolate jelly roll by slicing them too thin, maybe I have gone to the other extreme and made them too chunky!

The main thing is that they baked fine and came out without any problems. I need to look for something now to string them on.

Odd shaped bullseye kaleidoscope

Again I found this lesson in my Donna Kato book and for some reason had an instant desire to try it out. The process looked easy enough. I felt confident that I could make the skinner blend for the internal core of the bullseye cane, and I had some cherry red, black and white clay left. I also felt confident making the bullseye cane. Basically this is the same process as the feather, which involves squashing the bullseye cane, and then using the kaleidscope technique I had previously used for the scrap kaleidoscope. In fact I prefer the simplicity and definition of the pattern within this to my last kaleidoscope and I'm always surprised at how effective the pattern looks when it has been divided and constructed.

The only new aspect of this process was attempting to manipulate the swirl of the pattern by changing the cane from square shape to circular and then back to square again. Yet even this may seem a little daunting and yet is easy to achieve.

I haven't yet baked this, but I hope to finally produce something usable. Perhaps by slicing a thin section off the cane and poking a hole in one of the corners this could become a pendant.

Leftovers reused: Feather

I'm literally drowning in bits of old dry clay and I really wanted to try using some of that up before I start a new project. So last night I started messing about with the scraps. One pile of clay was an old stripy stack of white and purple that's not going to any good use, so I chopped it up into tiny pieces to create a mix. One thing I can say about the dried up clay is that it's very useful for this kind of activity because it's easy to chop.

I saw a recipe for a Starry night cane in Donna Kato's book which seemed a good idea for these bits and was fairly simple to do: just roll out the chopped up clay and roll through the pasta machine a few times and you get a really great marbling effect. I did this but found it hard to stop and consequently overdid it a little with the pasta machine. So by the time I had created the stack for the Starry night effect I had lost a lot of the line definition. In fact I was closer to creating a plain sheet of lilac! However, this was the first time I had tried marbling and even colour mixing, so still an interesting process.

I gave up on the purple and white and instead took a multicoloured chopped up mix of old clay, and remembering the feather idea on Polymerclayweb, I decided to tackle that from memory. I twisted the clay into a streaky log, which gives a pleasing effect and then rolled a black layer around the outside. I then squashed the cane and divided, layering the parts not directly on top of each other, to create the feather. Surprisingly simple to do and makes me realise that with more care a more intricate feather could be achieved. I'm not really sure how I can use this feather, as I imagine it's fairly difficult to reduce, but maybe I'll come back to it later.

Orchid experiment

Taking the petal idea further, I was really driven by the idea of making something of my own design. The basic ingredients were there, I had already crafted the petal cane (see my last post) but just slicing these off and placing them onto the base bead to form a vaguely flower shape just didn't seem enough. I was on a roll and didn't want to stop. So with petal cane still intact I decided to experiment further.

My inspiration was a pink orchid, which sits in my lounge, and has surprisingly flowered after a couple of years of lifelessness. Taking the petal cane I started building my orchid cane by attempting to mould the shape of the petals into the orchid petal shape, cutting the cane in half and combining to form a vaguely cane like shape around a small white core. Adding some tiny rolls of white clay in between the petal canes helps plugs the gaps. Then I trimmed the ends off so that all pieces were the same length. The final part of the process was to wrap the cane in a layer of white clay to keep it together. After some further rolling and reducing, you can see how it turned out.

Well, OK it's not how I imagined it, but at the same time, it's not a complete disaster. But seeing how this was built taught me a few things about caning. Firstly, the design wasn't properly defined. I kind of rushed into it, and built it on a wing and a prayer. So the point is that I didn't plan it very well to start with. I only had the petal canes I started with in the last post, and a few bits left over. As a result the cane wasn't nearly large enough to define the design and I should really have used more colours and layers to better define the borders between the petals, because it resulted in much of the colour being merged in the reduction process. Also the petals have sort of lost their shape at the ends and this is down to the layer of white clay around the edges. For one, the layer of white clay was too thick.

On the positive side you can still see the veining in the petals, but I think I will spend more time learning the basics of creating different pictures within canes before I move on further.

Petals

I spotted this technique of creating petals in the same book. It basically takes the process of the skinner blend to the next level. Again I chose white and cherry red clay to create the blend. The instructions are fairly straightforward: create the cane and then slice along the length so you have dissected the cane into quarter lengths. You then squeeze and shape the cane into a petal shape and cut in half. By combining the pieces side by side, and recutting the cane in half, the result is a more detailed veining of the petal, as you can just about see in the core of the cane on the left of the photo.

It's odd how as you layer the canes side by side you would think it's not going to work. It's only when you cut through the core that you see it has been a success. And with surprisingly little effort, I think this gives a real sense of achievement. The design can then be sliced off to create a flower design on a base bead.

The real problem I am finding at the moment is cross-contamination of colour, particularly with very strong colours, such as this cherry red. I have noticed that when creating the skinner blend my white clay doesnt stay white for very long, as it gets contaminated from rolling through the pasta machine, from residue off the rolling pin and of course from my fingers. The key to all this of course is using handwipes to clean the tools in between colours, but I have to admit that due to lack of patience and sheer laziness I have lapsed somewhat in this aspect.

Fortunately the whole process has made me realise just how forgiving the clay really is. You can in fact get away with making a skinner blend out of not-so-white clay, streaked with bits and still get good results. These blemishes seem to get lost in the process. And you can always of course right wrongs by adding a little bit extra to hide mistakes.

Lollipop

With the skinner blend sorted out, I really wanted to try something with my new skill. I found this little project in one of my books 'How to make polymer clay beads' by Linda Peterson. What is nice about this project is the minimal amount of materials needed for the task: just three colours of clay. For this I chose a red, white and a purple clay. (I have only ever tried using Fimo so far.)

This time I used the pasta machine. It's very good for conditioning bits of my left over clay to transform a crumbly mess into something usable. I find that passing it through the pasta machine a few times helps to create a usable sheet. I then used the tissue blade to cut three triangles of each colour and place them side by side to form a sheet. By rolling them into a small cane you are effectively creating the graduation of colour needed to make a skinner blend. You then roll this out with the rolling pin so that you have a stripy sheet. I must say at this point I didn't quite understand where all this was going. The instructions told me to pass the sheet through the pasta machine five times. I did this before realising that you need to fold it in between passes! Then I realised of course that it's the same process I took using the rolling pin - folding and rolling to make a basic skinner blend.

By cutting the finished sheet into pieces and then stacking, followed by slicing, something miraculous happens. A pattern emerges from the irregularity of the stacked sheets. Just seeing how easily this is done brought a smile to my face.

Now you can lay the pieces on a background sheet and use to wrap around a log of clay. (I used the scraps I had cut to form the base bead.) I found you have to be careful when pinching the ends of the log together, as you don't want to mess up the stripy design. Giving it a careful twist means you get the nice swirling effect of the two colours combining. You then thin the ends down and curl the log of clay up to form the lollipop.

Tackling the skinner blend with a rolling pin

Considering that the last time I tried the skinner blend using the pasta machine the sheet of clay ended up in bits, I decided to try a more controlled method using the rolling pin. For this I chose a very strong blue clay and white clay for the blend. Following the instructions I found on the internet I rolled out two very small sheets of each colour, cut them into rectangles of exactly the same size, and then cut a diagonal across each sheet using the tissue blade.

It's been a while since I took the time to do any crafting, and unfortunately the clay I have stored in plastic boxes is not as fresh as it once was. In fact, it is now a little crumbly. This means it's quite difficult to condition with the fingers and cracks when folded, and makes the process considerably more difficult! Unfortunately this is all I have at the moment, so I had to persevere. With some rolling and squeezing, the clay begins to get more workable, but I am sure using older clay like this is best avoided.

After placing two rectangles of each colour and softly pushing them together to form the sheet to be blended, I used the rolling pin this time rather than the pasta machine. It's interesting that although rolling by hand is much harder work, I found it easier to control the sheet. It wasn't quite as easy as I had seen on the YouTube clip, but I was certainly able to maintain the size and shape of the sheet during the rolling and folding process. I didn't count how many times I folded, but it certainly wasn't anywhere near 30 times!

Despite this, the sheet was a success. I was able to roll a small cane from it, starting from the white end of the sheet and rolling to the blue, finishing with a completed cane with the white gradient at the core. And then I became really ambitious and decided to create a basic flower cane by cutting the cane into sections and combining around a white core. The cane isn't anywhere near large enough to make it worthwhile, but this is only my first effort, and I would definitely take the time to make a much larger and more intricate design next time. You can just about see the skinner blend in the outside 'petals' of the flower design.

Here's what I did earlier (part two)

Of course there's nothing more exciting than bringing a bit of colour into the equation. The black beads were a good start, but I really wanted to try something a little bit more ambitious. This certainly did not disappoint! I picked up this idea off the internet, and it's probably a good example of wanting to run before I can walk. These are called "chevron style" beads. The colour choice itself is pretty vibrant and there's no mixing involved, it's just a case of rolling out black, blue, red and white pieces for this cane. The process involves cutting different colours of rectangular sheets, laying them on top of each other and cutting diagonally across the block, then laying the striped wedges together to form a star pattern. You then reduce the cane down in size. The original cane is on the left hand side of the photo. When you cut through the cane you can see the star effect at its core. The rest is fairly straightforward to make the beads from this cane. You simply cut off a length of the cane and then you have to shave off the ends to create the rounded shape of the beads.

I found this project very exciting, for the reason that it involved using multiple colours of clay and a fairly tricky process of combining the pieces together. The cane did lose its form a little during the process of reducing it down to size, which involved squeezing and pinching it until the cane is the required size, but I suppose this comes with practise. I also found that shaving the edges of the beads to make them round is easier said than done and in actual fact if you look closely, you can see that the final beads are not perfectly round.

On the positive side I added a little twist of my own. The original design of the cane was to have straight lines running through it to create the star shape at each end, but at the point of shaving each bead, I found it added an extra sparkle to the design by slightly twisting the bead to create the swirling effect on the outside.